The Complete Works of Philippe Smit
by Andreas Narzt and Florence Castellani
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Photo: Studio Sebert; © FdDPS



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Classification: Painting »
Theme: figurative »
Medium: Oil »
Support: on canvas »
Year(s): 1944 »
PS 512
Angels' Concert (five figures)
Alternate titles: Concert d'anges; Le concert d'anges
Oil on canvas
63 13/16 x 51 3/16 in. (162 x 130 cm)
Signed and dated lower left: Philippe Smit/ 1944
Inv. Lotty Urban-Leteneur, n.d. [ante 1953], s.n., private archives: no. [08], p. [1], Toiles: Le Concert d'Anges.
Inv. Leteneur, n.d. [1977], n.p., s.n., private archives: no. [31], p. [3], premier étage: Smit Philippe - 'Le concert d'Ange'/ Huile signé[e] en bas à gauche datée 1944, 160 x 127 [cm].
Musée municipal, Noyers-sur-Serein, Yonne, France, Le Mystère Philippe Smit 1886 - 1948, April 01–November 30, 2000, as Le concert d'anges.
Literature & Primary Sources
Philippe Smit. ALS to Nicolaas, Nann and Bé (Jeanne) Urban. Pau, n.d. [26 June 1942].
Rivais, Jeanine. "Le mystère Philippe Smit (1886-1948)." Le cris d'os, n° 31 (2000), p. 165-166, as Concert d'anges.
"[…] J’ai essayé/ de commencer un grand tableau/ ballade à l’arc en ciel ou un Concert d’ange, pour m’evadér de toutes les choses douloureuses/ dont nous vivons depuis/ la guerre, parfois vous devez/ trouvez dans la nature une/ grande consolation, car comme/ dit notre cher Rollinat la nature/ ne rend heureux les innocent[s] et les sages, quelle profonde verite […]" [sic] (... I have tried to begin a large painting, a walk on the rainbow or an angels’ concert, to escape all the sad things we have been going through since the start of the war, sometimes you may find great comfort in nature because, as our dear Rollinat says, nature makes happy only the innocent and the wise, what a profound truth ...) (Philippe Smit 1942)

It was most likely due to the unfavourable situation in Pau during the war1 that he was not able to carry out the project straightaway and so its execution had to wait until Smit returned to Thoury-Ferrottes. On the 16th of April 1944 Berendina wrote to friends:"[...]  and Ph[illipe] will finish his  angels' concert."2
Angels (whether alone or in groups) are a recurring theme in the work of Philippe Smit. Often his representations go beyond the conventional framework of Christian iconography and show these celestial beings on earth, even performing common tasks, such as the angel who knits (see [PS 257] and [PS 353]). However, these creations are by no means the pure product of the artist's imagination; on the contrary, they reflect his close familiarity with Swedenborg’s writings.
In several works, Swedenborg recounts his mystical experiences, which led him to visit the angels in heaven, and to discover that they were not created at the beginning of time as professed by the Christian doctrine. For him, heaven is peopled by humans, whose behaviour and faith are rewarded, after their death, by their transformation into angels.
In so doing, they retain their human appearance, but "have more exquisite senses […] a keener sight and hearing […] think more wisely […] for they see in the light of heaven"3 "and the more they live […] the more they march towards a spring full of pleasures and happiness […]."4
At the same time, in their spiritual world, Swedenborg says that there are hills and valleys, palaces and houses as in the natural world and all the things one is accustomed to seeing on earth. "[…] such things and innumerable others still more perfect are presented before their eyes by the Lord; and yet these things are more pleasing to their minds than to their eyes […]"5

1. See Chronology 1940.
2. "[...] et Ph[illipe] va finir son concert d'anges." (Berendina Urban-Smit, ALS to friends, 16 April [1944], private archives, Paris).
3. Swedenborg, Emanuel, Heaven and Its Wonders and Hell, From Things Heard and Seen, translated from the original Latin by John C. Ager, standard edition, West Chester, PA: Swedenborg Foundation, 2009, n° 462, p. 368.
4. "et plus ils vivent […] plus ils marchent vers un printemps plein de plaisirs et de bonheur […]." (Le Cercle Swedenborg de Lausanne: Les enseignements, Les mondes supérieurs (textes de synthèse et d'explication) [accessed on 3 November 2016]).
5. Swedenborg Emanuel, op.cit., n° 185, p. 139.

Record last updated July 3, 2018. Please note that the information on this and all pages is periodically reviewed and subject to change.
Citation: Narzt, Andreas and Castellani, Florence. "Angels' Concert (five figures), 1944 (PS 512)." The Complete Works of Philippe Smit. (accessed on September 26, 2021).